Before GINA APOSTOL's fourth novel, Insurrecto, hit the shelves, Publishers' Weekly named it one of the Ten Best Books of 2018, making her the cover author of its Best Books Issue. Insurrecto was named among the most anticipated fall books by The Millions and Buzzfeed; Amazon's Best Books for November; Strand Books December Fiction for its BookHookUp series; Entertainment Weekly's best in November; and many others. Her third book, Gun Dealers' Daughter, won the 2013 PEN/Open Book Award and was shortlisted for the William Saroyan International Prize. Her first two novels, Bibliolepsy and The Revolution According to Raymundo Mata, both won the Juan Laya Prize for the Novel (Philippine National Book Award). A work-in-progress, William McKinley's World, like Insurrecto, uses her research on the Balangiga massacre and the Philippine-American War to cast a lens on our contemporary times. She was writer-in-residence at Phillips Exeter Academy and a fellow at Civitella Ranieri in Umbria, Italy, among other fellowships. Her essays and stories have appeared in The New York Times, Los Angeles Review of Books, Foreign Policy, Gettysburg Review, Massachusetts Review, and others. She lives in New York City and western Massachusetts and grew up in Tacloban, Philippines. She teaches at the Fieldston School in New York City.
Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte’s Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher.
Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.
NPR's Weekend Edition with Scott Simon: “Gina Apostol uses an array of literary and cinematic techniques: memoirs, jump cuts, close-ups, and reveries to set a story in Duterte’s Philippines that shows us that though victors often write histories, survivors and artists can revise them.”
Elise Juska is the author of five novels, including The Blessings, which was selected for Barnes & Noble's Discover Great New Writers series, Entertainment Weekly's "Must List," and the Philadelphia Inquirer's Best Books of 2014. Her newest novel, If We Had Known, was published last spring. Juska's short fiction and nonfiction have appeared in Ploughshares, The Gettysburg Review, The Missouri Review, The Hudson Review, Harvard Review, Electric Literature, The Millions, and numerous other places. She is the recipient of the Alice Hoffman Prize from Ploughshares, and her short stories have been cited by The Best American Short Stories and Pushcart Prize anthologies. She teaches fiction writing at the University of the Arts in Philadelphia.